If you want your art to hold a mirror to life, you better get a pretty damn big mirror.
In The Tree of Life, auteur director Terrence Malick attempts to frame all of existence into one two-hours-and-change film. When it works, the film’s sweeping scope speaks volumes on the nature of life and man’s endless quest for meaning. When it doesn’t work, the film drags, especially in the second half of the movie.
The Tree of Life is a movie tailor made for the arthouse audience and sure to confuse your average popcorn filmgoer. Malick tells the story of one man’s childhood, in the context of his family, in the context of the world and the universe as a whole. Again and again, characters question God, especially with the quandary that shapes the film: “What do we look like to You?” Continue reading


