Tag Archives: classic film

La Grande Bouffe (1973) Movie Review

Do not watch this movie. Watch The Discreet Charm of the Bourgeoisie instead.

Both films critique bourgeoisie excess and the decline of French (and to some extent, Western) civilization. The Discreet Charm of the Bourgeoisie manages to do all of the above while keeping the tone light and stimulating, while La Grande Bouffe (The Great Feast) takes forever and a day to set up the story, makes an obvious argument, and then beats a dead horse for another hour and a half of repetitive orgiastic nonsense. Continue reading

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The Umbrellas of Cherbourg (Les Parapluies de Cherbourg) Movie Review

The Umbrellas of Cherbourg (Les Parapluies de Cherbourg) is a visual masterpiece. Far from the stark monochrome jump cuts of Jean-Luc Godard, contemporary Jacques Demy‘s movie musical explodes with color. Color saturates every frame, and the constant lilting music of every spoken word helps create a fairytale realm that is at once fantastical and all too real.

It would be a mistake to treat the film lightly merely because it happens to be a  musical. Starring Nino Castelnuovo and an ethereally beautiful Catherine Deneuve, The Umbrellas of Cherbourg explores love in all its tragic beauty.

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The Discreet Charm of the Bourgeoise (Le charme discret de la bourgeoisie) Review

Bonjour tout le monde!

Parlez-vous française?

Ah, bon.

Alors…

The bowler-lips-legs creature is named Eddy.

As an unabashed Francophile, I have been going through classic and contemporary French cinema through three main sources: Netflix (J’aime le Netflix!), Laemmle and other indie theaters, and the annual COL-COA French Film Festival in Los Angeles. More on COLCOA in another post.

Aujourd’hui, I mean to discuss Luis Buñuel’s The Discreet Charm of the Bourgeoise*. Let’s be clear; I am no expert on Buñuel. I enjoyed and was slightly mystified by Belle de Jour, but I haven’t seen any of his other work. However, based on these two films, I consider myself a newly-minted fan.

Le Charme is silly, irreverent, and, like much of French cinema, deeply political. The film follows a group of bourgie men and women, whose attempts at a fine meal are constantly impeded by ever more inventive interruptions. Continue reading